The Taking of Deborah Logan (2014)

Starring: Jill Larson (Deborah Logan), Anne Ramsey (Sarah Logan), Michelle Ang (Mia Medina), Ryan Cutrona (Harris), Brett Gentile (Gavin). 

Director: Adam Robitel.

Plot: a daughter and her mother, who suffers from Alzheimer’s disease, let a film crew come into their home and film a documentary about her ailing health. Throughout the duration of the film they uncover a much darker presence fighting inside Deborah. 

I don’t like found footage, there I said it. HOWEVER! Deborah Logan provided me with a huge reason to enjoy the style of film. It just seemed so real, I think the crew definitely handled the subject well, as we all know, mental health is a very touchy subject but they tackled it tremendously. 

Jill Larson was a real winner in the way she pulled off her performance, the way she presented herself as the lovely Deborah Logan, a sweet old lady with old fashioned manners, with a stern side, a very straight minded lady who could hold her own.

Like a lot of found footage movies, this didn’t need the blood and gore that other movies rely on, Deborah Login pulls you into its visceral storyline with mere intrigue and mystery surrounding who, or what, is actually going on inside her head. It’s interesting to see an actress change throghout the course of a film, not just their characteristics but there visual appearance, below are a couple of images showing the transformation she undergoes. 

So the top picture is Deborah as she is made up for her interview with the film crew around a third of the way through the film, note the vacant expression on her face, this shows that although she looks healthy, there is more going on than we know. The bottom image, is Deborah nearing the end of the film, you can clearly see the changes that have been made, her early self is glowing, fresh faced, but the later image shows her blue, gray complexion as not only the illness, but also the evil entity that has taken over her body, comes more and more malevolent. 

Overall I thoroughly enjoyed this viewing, I’m going to award Robitels’ flick a 3.5 serpents out of 5.