The Strangers: Prey at Night. (2018)

Director: Johannes Roberts

Starring: Christina Hendricks (Cindy), Bailee Madison (Kinsey), Martin Henderson (Mike), Lewis Pullman (Luke).

The Strangers: Emma Bellomy as Dollface, Damien Maffei as the Man in the Mask and Lea Enslin as Pin up Girl.

Plot: A family of four are staying at a secluded mobile home park for the night, but their peace and quiet is soon interrupted by three masked psychopaths.

After the success of the first Strangers movie back in 2008, it’s easy to understand why you would want to make a sequel. With Johannes taking the reigns from the first movies director, Bryan Bertino, did PaN hit the mark?

I definitely think Prey at Night lived up to expectations, Johannes didn’t do a bad job at all, I think this instalment put a nice twist on the first one. It’s not a home invasion movie, but it does have the same kind of vibe as the first one. For instance, it’s set in a nice secluded location with no one around, making our family of four, pretty easy targets for our masked lunatics.

I thoroughly enjoyed the tone of the movie, it was all pretty dark and mysterious, then it all gets flipped around when the strangers appear on screen with their old 80s music blaring out, making their hunt seem more innocent and almost romanticised. I mean what’s more romantic than an axe wielding lunatic with a burlap sack over his face, blasting Bonnie Tyler – Total Eclipse of the Heart?! I mean come on!

I think out of all this I would like one thing, and that’s a back story. I feel as though we could be missing out on so many key elements, as well as information regarding who these people are, and an actual insight as to why they kill people. Are they part of a cult? Were they abused as children? The information we have been given so far points to them just downright enjoying killing people, but I would love to be inside their heads, seeing things through their eyes with their knowledge. Maybe it’s an idea for the future, who knows.

So with some cool little action sequences, and some entertaining horror genre clichés, i.e he’s dead, but oh shit he’s back!! This movie kicked ass, the current IMDb rating is 5.5, which, for this movie is relatively low, I’m putting it out there at an 8. Am I being generous? Or did this movie just really rock my world? Watch it and find out!

Kinsey: Why are you doing this?

Dollface:…. Why not?

Also keep an eye out at the end for what I think to be a homage to Texas Chainsaw Massacre, you know, the scene at the end where Sally’s in the back of the truck and leatherface is swinging his chainsaw at her? Yeah that one.

Basically if you’re home alone tonight and want to stay awake all night due paranoia induced insomnia, then you need to watch this movie.

Anyway guys, that’s a wrap from me. Stay scary.

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Happy Hunting (2017)

Starring: Martin Dingle Wall, Ken Lally, Kenny Wormald, and Gary Sturm.

Directed and written by Joe Dietsch and Louie Gibson.

Plot: An alcoholic drifter must battle his own withdrawal, and psychotic rednecks after he becomes a target in a deranged towns hunting game.

Okay, so this movie currently sits on a 5.1 out of 10 over at IMDb. Which to be honest, is a little harsh I must admit, been as Happy Hunting has a list of awards to its name, to name a few; best action film (Atlanta Horror Film Festival), best overall feature (GenreBlast Film Festival), best horror feature (Studio City Film Festival).

The plot is amazing, let’s be honest. The guys had an idea and they ran with it, and they were able to provide the perfect blend of character and violence. So to paint you a picture, our main character Warren (Wall) is about to do a meth deal, but it goes a bit sour, following this deal gone bad he decides to lay low from his boss and head to Mexico. On his little trip he encounters an old hunting town, Bedford Flats. I mean straight from the get go this movie is gritty, it’s gripping, and better yet, it’s violent! The movie clings on to it’s darker colours such as blue and grey, and it uses them to paint us this bleak existence that Warren is going through. For the second part of the movie, in Bedford Flats the colour is so bright, so happy and uplifting that you have to sit and think, are better things on the horizon for Warren, but no, they’re not. The townsfolk however live in absolute harmony, it’s a small town, maybe 135 residents, with their annual traditions their lives are absolute bliss.

The thing that makes this movie awesome is that it’s kinda like a low budget, lower class version of the Purge, but it kicks it’s ass in every aspect, I mean yeah the acting isn’t Hollywood blockbuster, the visual effects weren’t spectacular, but the characters themselves, were original. They actually had character and personalities, rather than some tarted up toffs who wore suits and used fancy weapons, this movie is what it is. And what it is, is glorious.

The tone of the movie is pretty dark, it just oozes seediness, backwoods drug deals and moonshine brewing, scattered with flannel wearing, almost primitive people. I think a lot of thought has gone into the characters themselves, something makes them so genuine and so appealing for us to keep on watching, something that makes us watch the movie as a sporting event. We almost want them to succeed in getting notches on their belts in the form of taking the life of a living, human being, we want them to go home, covered in the blood and glory of their hunt.

So if you would like to see a pensioner laying on a blanket in the desert taking pot shots with a sniper, or a fat redneck sunbathing with his shirt off, then you should watch, Happy Hunting.

Rating: 6.4 bloody meth crystals out of a possible 10.

Rob Zombies 31

Written and directed by Rob Zombie. 

Starring: Sheri Moon Zombie, Jeff Daniel Phillips,  Richard Brake, Malcolm Mcdowell,  E.G Daily, Meg Foster.

You Jesus freaks are so fucking sensitive, you should be thanking me man, I’m sending you straight to the fucking pearly gates with a first class ticket. 

After the Lords of Salem was released it seemed that RZ had some making up to do, after all he’s the man behind the Devils Rejects, House of 1000 Corpses and the Halloween reboots, so the Lords just seemed a bit toned down in comparison. So here we are with the highly anticipated 31.

Five carnival workers are kidnapped the night before Halloween,  held in a compound they are forced to fight for their lives in a sick game called 31. Over the course of 12 hours they must survive against a barrage of homicidal maniacs while their captors place bets.

As a huge fan of Zombies movies I was extremely excited when he announced he was working on a new project,  armed with a decent cast featured in his older movies I was really expecting the acting to be on point, however that was far from the case. Our

Only two characters really stood out to me, Malcolm Mcdowell and Richard Brake, they delivered stellar performances, no idea what the other guys were doing which is sad really, as I love all the main cast dearly. The premise of the film is one big game of cat and mouse, until the victims begin knocking off all the killers, which is odd really, a group of people with no real training take on a group of professional killers as if they’re mere pedestrians like you and I.  The actual killers are all, well a bit weird, all posing as clown like characters with a few cross dressing tendencies, one of which is a nazi dwarf. Like I said, weird. Not really sure what Zombies angle was, was he trying to a bit offensive, or just plain weird? Death-head is a giant of a man who wears what seems to be a ballerina tutu, Sex-head (E.G Daily) parades around like a lovestruck teenager, then there’s psycho-head and skitzo-head, the most clown like characters who just talk a lot of shit but don’t have the flare. Then there’s Doom-head, the one we see the most of, the only character we actually see grow from a normal man, into his alter ego killer, which impacted his role massively. 

I thoroughly enjoy RZ imagery in his films, the flashes of gore and weirdness, the photos of dead bodies plastered on the walls, it shows that he still has the grit and passion that he had in his earlier projects, the dark gritty surroundings of the compound all build up and make this film what it says,  a murderous joyride into the mind of a madman. Putting the flat performances from certain  characters aside, 31 just worked for me, the simple plot, Richard Brakes presence,  and some memorable moments have allowed me to award 3.5 bashed heads out of 5. 

I’m not crazy I’m in control – DoomHead.