Rob Zombies 31

Written and directed by Rob Zombie. 

Starring: Sheri Moon Zombie, Jeff Daniel Phillips,  Richard Brake, Malcolm Mcdowell,  E.G Daily, Meg Foster.

You Jesus freaks are so fucking sensitive, you should be thanking me man, I’m sending you straight to the fucking pearly gates with a first class ticket. 

After the Lords of Salem was released it seemed that RZ had some making up to do, after all he’s the man behind the Devils Rejects, House of 1000 Corpses and the Halloween reboots, so the Lords just seemed a bit toned down in comparison. So here we are with the highly anticipated 31.

Five carnival workers are kidnapped the night before Halloween,  held in a compound they are forced to fight for their lives in a sick game called 31. Over the course of 12 hours they must survive against a barrage of homicidal maniacs while their captors place bets.

As a huge fan of Zombies movies I was extremely excited when he announced he was working on a new project,  armed with a decent cast featured in his older movies I was really expecting the acting to be on point, however that was far from the case. Our

Only two characters really stood out to me, Malcolm Mcdowell and Richard Brake, they delivered stellar performances, no idea what the other guys were doing which is sad really, as I love all the main cast dearly. The premise of the film is one big game of cat and mouse, until the victims begin knocking off all the killers, which is odd really, a group of people with no real training take on a group of professional killers as if they’re mere pedestrians like you and I.  The actual killers are all, well a bit weird, all posing as clown like characters with a few cross dressing tendencies, one of which is a nazi dwarf. Like I said, weird. Not really sure what Zombies angle was, was he trying to a bit offensive, or just plain weird? Death-head is a giant of a man who wears what seems to be a ballerina tutu, Sex-head (E.G Daily) parades around like a lovestruck teenager, then there’s psycho-head and skitzo-head, the most clown like characters who just talk a lot of shit but don’t have the flare. Then there’s Doom-head, the one we see the most of, the only character we actually see grow from a normal man, into his alter ego killer, which impacted his role massively. 

I thoroughly enjoy RZ imagery in his films, the flashes of gore and weirdness, the photos of dead bodies plastered on the walls, it shows that he still has the grit and passion that he had in his earlier projects, the dark gritty surroundings of the compound all build up and make this film what it says,  a murderous joyride into the mind of a madman. Putting the flat performances from certain  characters aside, 31 just worked for me, the simple plot, Richard Brakes presence,  and some memorable moments have allowed me to award 3.5 bashed heads out of 5. 

I’m not crazy I’m in control – DoomHead. 

The Taking of Deborah Logan (2014)

Starring: Jill Larson (Deborah Logan), Anne Ramsey (Sarah Logan), Michelle Ang (Mia Medina), Ryan Cutrona (Harris), Brett Gentile (Gavin). 

Director: Adam Robitel.

Plot: a daughter and her mother, who suffers from Alzheimer’s disease, let a film crew come into their home and film a documentary about her ailing health. Throughout the duration of the film they uncover a much darker presence fighting inside Deborah. 

I don’t like found footage, there I said it. HOWEVER! Deborah Logan provided me with a huge reason to enjoy the style of film. It just seemed so real, I think the crew definitely handled the subject well, as we all know, mental health is a very touchy subject but they tackled it tremendously. 

Jill Larson was a real winner in the way she pulled off her performance, the way she presented herself as the lovely Deborah Logan, a sweet old lady with old fashioned manners, with a stern side, a very straight minded lady who could hold her own.

Like a lot of found footage movies, this didn’t need the blood and gore that other movies rely on, Deborah Login pulls you into its visceral storyline with mere intrigue and mystery surrounding who, or what, is actually going on inside her head. It’s interesting to see an actress change throghout the course of a film, not just their characteristics but there visual appearance, below are a couple of images showing the transformation she undergoes. 

So the top picture is Deborah as she is made up for her interview with the film crew around a third of the way through the film, note the vacant expression on her face, this shows that although she looks healthy, there is more going on than we know. The bottom image, is Deborah nearing the end of the film, you can clearly see the changes that have been made, her early self is glowing, fresh faced, but the later image shows her blue, gray complexion as not only the illness, but also the evil entity that has taken over her body, comes more and more malevolent. 

Overall I thoroughly enjoyed this viewing, I’m going to award Robitels’ flick a 3.5 serpents out of 5. 

Split 

Starring: James Mcavoy,  Anya Taylor-Joy,  Betty Buckler, Haley Lu Richardson,  Jessica Sula.  

Director/Writer: M. Knight Shyamalan. 

Plot: Three girls are kidnapped by a man with 23 diagnosed personalities, but they must escape before he unleashes his most dangerous personality yet. 

Okay so I’m gonna go ahead and say it. Best film I’ve seen in years! Mcavoy was so convincing and into his roles, it made the film a magnificent piece to watch. The different roles he had to play were complete opposite ends of the character spectrum but he managed to execute it perfectly, everything from his body language, to his facial expressions, the smallest details made this his best performance yet, it really gave me an insight to his talent as an actor.  

Above: Mcavoy as Hedwig, and Patricia.
Not only was his performance spot on,  but the use of camera angles was genius, we see the camera moulding to him in different ways depending on what personality is in “the light” at the moment in time, so it was an all round well made and we’ll thought out film. Taylor-Joy also put on a stellar performance as the more head strong one out of the three captures, as the film unfolds and they all start to wonder if they’ll survive, we see her character reminiscing on old childhood memories, which brings her purity into question, which is what “The Beast” wants. 

I really can’t praise this film enough, well done to Shyamalan for this masterpiece of a film, and a huge well done to Mcavoy for pulling off this phenomenal piece of acting, if you hear anything bad about this film, I urge you to ignore it, please give it a watch and you will understand the hype.

Easily giving Split 4.5 personalities out of 5.

The Autopsy of Jane Doe

Starting: Emile Hirsch, Brian Cox, Ophelia Lovibond, Olwen Catherine Kelly.

Director: André Øvredal (Troll Hunter)

Plot: A father and son, both coroner’s, receive a body late one night, they are unknowingly pulled into a dark mystery while attempting to unravel what happened to the young lady that lay before them.

First things first, one main location, and a couple of main characters is what really brings this film together. Our opening scene sees the body of Jane Doe (Kelly) being discovered half buried, looking like a pretty normal corpse, it is then up to our dynamic coroner duo (Cox and Hirsch) to figure out what tragedy bestruck this young lady. So Cox and Hirsch are about to lock up for the night after doing 3 cases already, when a nervous looking sheriff turns up at their door. He has a right to be nervous because this Jane Doe in particular has had some pretty nasty shit done to her in her time. 

With their detective like skills, they set about slicing her open and seeing what the COD was. The pair unravel detail after grisly detail, with some pretty terrifying occurrences along the way,  bodies moving around by themselves, a freak storm, could it get worse? You bet your ass it could.  

With a stunning mix of greys and blues from the morgue walls and the pale skin of the corpse, the film leaves you feeling colder than the slab she is laying upon. Jane Doe herself is pretty normal looking, however, her wide captivating, grey eyes leave you with the feeling that she is always watching, like she knows all of your secrets and deepest fears, unleashing them through her mysterious powers. The whole aura of the film makes you so curious that you begin to question what happened to her right from the start, burying you in intrigue throughout.  

A massive 4 out of 5 toe tags for The Autopsy of Jane Doe!

Welcome to ROTLB!

Hello world of WordPress! My name is Luke,  a lover of all things bloody and scary. I decided to create this blog to share my opinion (and obsession) of the best, and worst horror movies ever to grace the big screen. 

So as you can guess from the name and theme of my blog, I do love good ol’ fashioned zombie flicks, not this new age Tom Cruise s#!t,  I’m talking real zombies that moaned and groaned like there’s no tomorrow. I will try to cover all eras and sub genres of horror as I can, I like to think of myself a connoisseur of horror, but if there are any requests or recommendations then please feel free to leave them in the comments section. 

So as for now folks I bid you ado, I look forward to sharing this experience with the WordPress community, and remember guys, Stay Scary!

They’re coming to get you Barbara!